Boredoms
The sound I'm talking about is centred
around Boredoms – one of the foremost bands in the Tokyo
noise scene since late 80s that went through a remarkable
transformation as they mellowed out by the late 90s to start
layering more structured soundscapes while keeping it
mind-expandingly trippy:
Boredoms' guitarist Seiichi Yamamoto
has had many side projects but the most long-lived of them is Rovo,
a band immediately distinguishable by its fusion-jazzy approach with
two drummers and an electric violin in their ranks:
Another one of Yamamoto's successful
offshoots is a collaboration with Bravo Komatsu under the name
Guitoo. The song I've chosen builds up in an ethereal and
blissful way, it seems simple at first but has many spacey layers
going on which erupt as the song takes off with a tasty desert rock
riff set on top of an urban breakbeat percussion:
One of the most underrated bands in the Tokyo underground is Hanadensha (translates “flower
train”), fronted by former Boredoms bassist Hira. Those interested
in a hypnotizing groove with Japanese spoken word vocals and a
looping sampled/processed didgeridoo (or sth like that) should lay
their ears on this:
OOIOO, a girl band lead by Boredoms' drummer Yoshimi, is hard to categorize. Their
music makes some people think of primordial nature, others of tribal
dancing. It's calm but not without mind tickling intensity. Here
OOIOO convince the listener that they've uncovered the threshold to a New
Age somewhere in the forests of Hokkaido:
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